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Fresh fonts
Характерные признаки
Simply grotesque
Έξτρα ροζ ροζ
kodform.love
Характерные признаки
Simply grotesque
Έξτρα ροζ ροζ
kodform.love
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Rather than being a revival, Ivar is strongly influenced by the grace and construction of Times.
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Knud V. Engelhardt was an architect, printer and designer from Denmark. Knud’s letterforms have already made a strong impression on some modern typefaces.
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Swedish Gothic is hard to explain. Because Sweden doesn’t really have a typographic history of its own to lean on, we can mine any tradition, embrace any style, and make it our own. Swedish Gothic is the epitome of this investigative attitude: finding something new in the old. Or something old in the new. Its design was sparked by a persistent crush for Otl Aicher’s seminal typefaces. During its development, Swedish Gothic picked up cues from various other iconic European sans serifs and from American Gothics too, but it ultimately found its own voice. Stylistic Sets allow the user to toggle between the two flavours and have Swedish Gothic cross the Atlantic with a simple click. With its narrow letterforms, open apertures and large x-height, it is a space-saving sans that can handle adverse conditions.
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Forgotten faces like Times Modern, Caslon Graphique and ITC Grouch
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TRIM POSTER WAS UPDATED IN 2016 TO INCLUDE lowercase glyphs AND MORE STYLES!
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Ivar began with the idea of creating a serif companion for Siri. During its development, it became apparent that typographic siblings don’t necessarily need to have a uniform design. After three years of drawing and perfecting the letterforms, the only shared characteristics that remain are the shapes of the terminals.
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The road to making a typeface is often forked, where two clear paths lead to two different results. Mikro is that diverging path. Where Trim is cut from a grotesque, Mikro takes on the geometric sans. Where Trim places letters squarely in a pixel-grid, Mikro steps out of bounds when seen fit.
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My Longley just updated Blåkulla to include lowercase glyphs
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