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Letters from Sweden

Browse our client list

Custom letters from Sweden

Sometimes that perfect typeface simply doesn’t exist. In addition to our retail fonts, we develop custom typefaces tailored to suit our clients’ needs. A commission might entail a completely new design or modification of a retail typeface. Other services include lettering, typeface consulting, screen optimizations and education.

  1. Client: VSCO
  2. Year: 2016
  3. Latin
  4. 5 fonts

VSCO Gothic

VSCO is an art and technology company that creates innovative tools and experimental projects. Inspiration for VSCO Gothic was found in American type from the turn of the 20th century, including the less commonly seen eccentricities of ATF Franklin Gothic (1903), Inland Gothic No. 8 (1898) and Gothic No. 545 (1887).

  1. Client: Volt
  2. Year: 2016
  3. Latin
  4. 6 fonts

Sweco Sans

Sweco works in engineering consulting, environmental technology, and architecture. Sweco Sans came straight from the drawing board. Inspired by the rudimentary type found in structural drawings, Sweco Sans bares unadorned the frame­­­work of the business: planning and designing the commu­nities and cities of the future. Sweco Sans was designed in collaboration with Volt Reklambyrå.

  1. Client: Ableton
  2. Year: 2015
  3. Latin
  4. 3 fonts

Ableton Sans

In music hardware and software Ableton interfaces revolve around “turning the knob”. Ableton Sans embodies this movement by spiraling round strokes outwards. This typeface was developed solely for use in Ableton’s physical and digital interfaces. Art direction by A Color Bright.

  1. Client: BVD
  2. Year: 2015
  3. Latin & Cyrillic
  4. 4 fonts

MTG Sans

MTG Sans is a custom type­face devel­oped to play an impor­tant part of the new MTG brand, active in 40 mar­kets around the world. The type­face is opti­mized for eight dif­fer­ent dig­i­tal plat­forms includ­ing Swe­dens largest stream­ing ser­vice, Viaplay. We were commissioned by BVD to collaborate and create ­a sim­ple, clear type­face with a per­sonal and human­is­tic touch.

  1. Client: Tele2
  2. Year: 2014
  3. Latin & Cyrillic
  4. 5 fonts

Tele2 Slab

With input from Kurppa Hosk we have designed a unique Slab Serif typeface for Tele2. Each style in the family is optimized for its main use area. The strong, compact Heavy weight with lowered diacritics is a perfect tool for setting tight headlines. The Bold style does its magic in sub-headings and short preambles and the Regular style is optimized for body copy, both in print and on screens.

  1. Client: Acne Studios
  2. Year: 2014
  3. 5 fonts

Acne Studios

In close collaboration with Acne Studios we developed a new typeface for their visual identity. The fonts were made in specific optical weights for use on light or dark backgrounds. The Acne Studios logotype and the Acne Studios typeface is designed by Johannes Svartholm.

  1. Client: Hummingbirds
  2. Year: 2014
  3. 4 fonts

Zeta

Zeta introduced olive oil, pasta and the Mediterranean culinary culture to Sweden. Founded in 1971 by Fernando Di Luca, Zeta is the most popular brand in its aisle. This typeface family is inspired by Italian Art Deco, comes in different styles and flavors and is specifically designed to be used on product packaging. Art direction by Hummingbirds.

  1. Client: Tictail
  2. Year: 2014
  3. 5 fonts

Tictail Sans

Tictail, the design-driven startup that has grown from four guys and an idea to 33 employees and 60,000 Tictail stores, decided they wanted to be different. In a landscape where the majority opt for a geometric sans, Tictail turned to explore another direction to build their brand. Tictail Sans is the product of an ongoing discussion on the nature of Scandinavian Design. The typeface is a contemporary grotesk with open counters and is drawn to perform great on modern screens.

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